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Monday, Feb. 16, 2026

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Arts & Life

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Vinyl Theatre is "Taking Off" in Music

By Ilana Berghash · Friday, Feb. 12, 2016

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Finish Ticket Are "Ones to Watch"

By Ilana Berghash · Thursday, Feb. 11, 2016

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Budnyk's Best Brews: Walkable Beer

By Sam Budnyk · Wednesday, Feb. 10, 2016

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‘Disgraced’ Seeks To Raise The Discourse, But Discourse At An All-Time Low

By Peter Witzig · Wednesday, Feb. 10, 2016

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'Pride and Prejudice and Zombies' Is Lifeless And Brainless

By Vikrant Nallaparaju · Tuesday, Feb. 9, 2016

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'Hail, Caesar!' Is A Film Fan’s Dream, A Casual Filmgoer’s Peril

By brandon wagner · Friday, Feb. 5, 2016

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Faculty Spotlight: Catherine Nickerson

By Alisha Compton · Friday, Feb. 5, 2016

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Judah & The Lion Roars With Versatility

By Hannah Conway · Thursday, Feb. 4, 2016

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New Art Club Seeks to Serve Previously Underserved Communities

By Lauren Balotin · Thursday, Feb. 4, 2016

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Songs that Endure: Remembering the Eagles’ Glenn Frey

By Hannah Conway · Wednesday, Feb. 3, 2016

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'Legends of Tomorrow' Off To A Shaky Start

By brandon wagner · Tuesday, Feb. 2, 2016

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'Pride and Prejudice and Zombies' Cast Talks Female Empowerment, Fight Training

By brandon wagner · Monday, Feb. 1, 2016

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‘Dark Souls III’ Preview: The Return of the Impossible

By Brian Savino · Sunday, Jan. 31, 2016

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'One-Punch Man' Smashes Conventional Anime Cliches

By Jake Choi · Saturday, Jan. 30, 2016

Jukebox the Ghost is Undeniably Unapologetic

By Anthony Chau · Friday, Jan. 29, 2016

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Bowie's Parting Gift Is Monumental, Heartbreaking

By Olivia Shuler · Thursday, Jan. 28, 2016

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'The Finest Hours' Is A Fine Half-hour At Best

By brandon wagner · Wednesday, Jan. 27, 2016

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'The 5th Wave' Author Rick Yancey Discusses Film Adaptation, Inspiration

By brandon wagner · Tuesday, Jan. 26, 2016

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Don’t Let 'The Revenant' Get Away With False Authenticity

By brandon wagner · Monday, Jan. 25, 2016

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The Oscar Nominees: Always What You Expect, Never What You Hope

By brandon wagner · Sunday, Jan. 24, 2016

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