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Friday, Dec. 5, 2025

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Arts & Life

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Atlanta ‘Queercore’ Pop-Punk Band ozello Reminds Us How to Feel

By Erin Oquindo · Tuesday, Feb. 11, 2020

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'Birds of Prey’ is Unapologetically Chaotic and Exhilaratingly Fun

By Aayush Gupta · Tuesday, Feb. 11, 2020

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Netflix or Chill With These 5 Flicks

By Becca Moszka · Tuesday, Feb. 11, 2020

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John and Hank Green Minitour: Live Podcasts for Charity

By Joel Lerner · Thursday, Feb. 6, 2020

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Hovers to Release Second EP

By Caroline Silva · Wednesday, Feb. 5, 2020

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Explore Atlanta Through These 5 Landmarks

By Angela Tang · Wednesday, Feb. 5, 2020

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Flynn to Retire After 40 Years at Emory

By Angela Choksi · Wednesday, Feb. 5, 2020

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Field Day Combines American & Asian Cuisine

By Caleigh Leyton · Wednesday, Feb. 5, 2020

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‘Man Cave’ Tackles the Bleak Outcomes of Climate Change

By Eythen Anthony · Tuesday, Feb. 4, 2020

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Heather Christle Bears Soul in Poetry Reading

By John Cai · Tuesday, Feb. 4, 2020

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Romance and Mortality Collide in New Sci-Fi Musical ‘Maybe Happy Ending’

By Charlotte Selton · Tuesday, Feb. 4, 2020

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Oh Dip, ‘The Good Place’ is Over

By Adesola Thomas · Tuesday, Feb. 4, 2020

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Not a Spectator’s Sport: Young Performers Compete for a Spot at Slam Nationals

By Kelly Martinez · Tuesday, Feb. 4, 2020

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Singh Talks Creative Inspiration

By Sadie Schwartz · Wednesday, Jan. 29, 2020

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Doolino Knows Best: Millennial Dilemmas

By Doolino · Wednesday, Jan. 29, 2020

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New Year, New Trends: Pattern Overkill

By Maya Deogun · Wednesday, Jan. 29, 2020

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'Transcendent Deities' Exhibit Bridges Temporal & Divine

By Angela Choksi · Wednesday, Jan. 29, 2020

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Young Pianists Balance Artistry & Technique

By Angela Tang · Tuesday, Jan. 28, 2020

Apocolypse-Now

The Dark Heart of 'Apocalypse Now'

By Stephen Altobelli · Tuesday, Jan. 28, 2020

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The Grammys Are More Irrelevant Than Ever in 2020

By Aidan Vick · Tuesday, Jan. 28, 2020

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