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Arts & Life

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The Art That Mattered in 2020

By Stephen Altobelli · Sunday, Jan. 10, 2021

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My Favorite Art During a Disaster Year

By Rhett Hipp · Sunday, Jan. 10, 2021

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Contemporary Art Isn’t for Snobs and MASS MoCA Proves It

By Zimra Chickering · Sunday, Jan. 10, 2021

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Year in Review: Best Music of 2020

By Jeffrey Rosen · Sunday, Jan. 10, 2021

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Older (and Newer) Art That Helped Me Through 2020

By Eythen Anthony · Wednesday, Jan. 6, 2021

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Playboi Carti Deftly Delivers Vampire Punk With ‘Whole Lotta Red’

By Jeffrey Rosen · Monday, Jan. 4, 2021

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Year in Review: 2020’s Best Movies Contemplate Connection

By Saru Garg · Monday, Jan. 4, 2021

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Year in Review: The Best YA Book Releases of 2020

By Bridget Barnsley · Monday, Jan. 4, 2021

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Year in Review: Museums Are Changing, Not Dying

By Zimra Chickering · Monday, Jan. 4, 2021

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Students Take Advantage of Empty Campus Over the Holidays

By Claire Fenton · Monday, Jan. 4, 2021

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‘Wonder Woman 1984’ Fails to Bring Much Wonder

By Aayush Gupta · Sunday, Jan. 3, 2021

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Goizueta Student Turned One of Atlanta’s Top Innovators

By Ulia Ahn · Tuesday, Dec. 29, 2020

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‘Lovers Rock’ Is the Best Party 2020 Has to Offer

By Caleb Jones · Saturday, Dec. 26, 2020

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Visualizing the South: The House that Malick Built

By Stephen Altobelli · Saturday, Dec. 26, 2020

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Year in Review: COLORS Studio’s Best Releases

By Zimra Chickering · Friday, Dec. 25, 2020

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‘Nomadland’ Is a Human Exploration of What It Means To Be Home

By Saru Garg · Friday, Dec. 18, 2020

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‘Hillbilly Elegy’ Regurgitates Tired Stereotypes of Appalachia

By Anastasia Knudsen · Friday, Dec. 18, 2020

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More Than a Restaurant, ‘Mangrove’ Is a Movement

By Noah Whitfield · Thursday, Dec. 17, 2020

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How the Emory Whig Has Succeeded

By Martin Shane Li · Tuesday, Dec. 15, 2020

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Netflix Original ‘Mank’ Lacks Its Rosebud

By Rhett Hipp · Tuesday, Dec. 15, 2020

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