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Friday, Dec. 5, 2025

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Arts & Life

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‘Hillbilly Elegy’ Regurgitates Tired Stereotypes of Appalachia

By Anastasia Knudsen · Friday, Dec. 18, 2020

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More Than a Restaurant, ‘Mangrove’ Is a Movement

By Noah Whitfield · Thursday, Dec. 17, 2020

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How the Emory Whig Has Succeeded

By Martin Shane Li · Tuesday, Dec. 15, 2020

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Netflix Original ‘Mank’ Lacks Its Rosebud

By Rhett Hipp · Tuesday, Dec. 15, 2020

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How to Survive the Holiday Blues

By Madeline Bryce · Tuesday, Dec. 15, 2020

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With Spring Sports Canceled, Student Athletes Seek Alternatives

By Jack Hudson · Tuesday, Dec. 15, 2020

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One Virtual Semester Down, One to Go: Students Brace for Spring

By Matthew Chupack · Sunday, Dec. 13, 2020

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‘Dragnet’ Remastered Is a Bust

By Jeffrey Rosen · Sunday, Dec. 13, 2020

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You Knead to Watch Season 11 of ‘The Great British Bake Off’

By Zimra Chickering · Sunday, Dec. 13, 2020

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In Defense of Language GERs

By Sienna Nordquist · Thursday, Dec. 10, 2020

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‘Plastic Hearts’ Embodies Miley’s Genre-Defying Potential

By Cailen Chinn · Saturday, Dec. 5, 2020

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‘My Psychedelic Love Story’ Colorfully Presents 1960s Counterculture

By Jeffrey Rosen · Saturday, Dec. 5, 2020

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‘Kill It and Leave This Town’ Is a Grotesque Mess

By Rhett Hipp · Friday, Dec. 4, 2020

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‘Ready Player Two’: An Unnecessary Sequel

By Bridget Barnsley · Friday, Dec. 4, 2020

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A Thanksgiving to Remember

By Ulia Ahn · Thursday, Dec. 3, 2020

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‘The Crown’ Season 4 Reveals Dark Side of the Monarchy

By Bridget Barnsley · Thursday, Dec. 3, 2020

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Megan Thee Stallion Owns Her Image on ‘Good News’

By Cailen Chinn · Wednesday, Dec. 2, 2020

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Eagle Eatz: Reviewing Emory’s Food Scene

By Zimra Chickering · Tuesday, Dec. 1, 2020

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Classic Books You Should Read: James Clavell’s ‘Tai-Pan’

By Demetrios Mammas · Tuesday, Dec. 1, 2020

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BTS Reminds Us That Everything Will Be Okay With ‘BE’

By Forrest Martin · Monday, Nov. 30, 2020

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