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Arts & Life

The Emory Wheel

Be Mine: Top Valentine’s Day Treats

By Kaitlin Mottley · Wednesday, Feb. 10, 2021

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‘Beginning’ Explores Female Identity Through a Slow, Uncomfortable Lens

By Eythen Anthony · Wednesday, Feb. 10, 2021

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New Carlos Museum Exhibition Is ‘Wondrous’ to Behold

By Zimra Chickering · Tuesday, Feb. 9, 2021

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‘Judas and the Black Messiah’ Pulls No Punches

By Jackson Schneider · Tuesday, Feb. 9, 2021

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How Alumni Marketed the COVID-19 Human Vaccine Trials

By Rebecca Frischling · Tuesday, Feb. 9, 2021

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What We Can Learn From Yoko Ono This Valentine’s Day

By Robert Fuhriman · Tuesday, Feb. 9, 2021

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‘Minari’ Subtly Dismantles the American Dream

By Saru Garg · Tuesday, Feb. 9, 2021

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The Bakery and 20/20 Vision: Placing Community at the Core of Art

By Zimra Chickering · Monday, Feb. 8, 2021

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Letter to the Editor: Response to Sexual Violence Editorial

By Sharon Rabinovitz · Monday, Feb. 8, 2021

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Madlib Takes Fans Around the Globe in Under 60 Minutes

By Noah Whitfield · Sunday, Feb. 7, 2021

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Theater Emory Contemplates Loneliness, Isolation in ‘La voix humaine’

By Cole Huntley · Saturday, Feb. 6, 2021

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There’s More to Classical Art Than Meets the Eye

By Zimra Chickering · Saturday, Feb. 6, 2021

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Wheel Constitution’s Inadequacies, Ambiguities Demand Amendment

By The Editorial Board · Saturday, Feb. 6, 2021

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‘Malcolm & Marie’ Is Boldly Intimate Yet Distant

By Noah Whitfield · Friday, Feb. 5, 2021

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‘Gaining Freedom Again’: Vaccinated Students Rejoice

By Angela Tang · Friday, Jan. 29, 2021

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‘Promising Young Woman’: A Powerful Portrayal of Female Resilience

By Becca Moszka · Friday, Jan. 29, 2021

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There Is No Escaping the Fact that ‘Hades’ Is Phenomenal

By Demetrios Mammas · Friday, Jan. 29, 2021

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College Kids, Swipe Left on ‘You Have a Match’

By Abby Williams · Friday, Jan. 29, 2021

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A Guide to COVID-Friendly Restaurants Around ATL

By Lauren Blaustein · Wednesday, Jan. 27, 2021

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All-Star Trio Delights on Schwartz Center Virtual Stage

By Caleb Jones · Wednesday, Jan. 27, 2021

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