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“CALL ME IF YOU GET LOST” is an opulent love letter to hip-hop and growing up

By Noah Gentry · Thursday, July 1, 2021

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Georgia O’Keeffe: The Ultraliberal Queer “Security Risk” | Let's Be Perfectly Queer

By Zimra Chickering · Wednesday, June 30, 2021

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‘In the Heights’ is a Dazzling Return to the Cinema

By Jackson Schneider · Monday, June 7, 2021

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'The Circle' Continues To Make Several Points

By Yokie Abera · Sunday, May 30, 2021

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Deja Vu: Olivia Rodrigo and the ‘High School Musical: The Musical: The Series’ Kids Are Back in Season 2

By Katy Mayfield · Friday, May 21, 2021

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‘Invincible’ Season 1: A Delightfully Raw Superhero Reimagination

By Demetrios Mammas · Thursday, May 20, 2021

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‘Falcon and the Winter Soldier’ a B-Tier Marvel Film in Bite-Size Pieces

By Jesse Weiner · Thursday, April 29, 2021

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‘Nomadland’ Wins Big at Chaotically Low-Energy 2021 Oscars

By Zack Levin · Thursday, April 29, 2021

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‘Music’: A Mellow and Contagious Collection

By Alex Wellisch · Wednesday, April 28, 2021

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‘The New Mutants’ Does Little to Advance the Superhero-Horror Genre

By Eythen Anthony · Monday, April 26, 2021

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‘The Infernal Machine’ Provides Hope for Virtual Theater

By Eythen Anthony · Monday, April 26, 2021

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Professor’s Choice Speaker Series Reveals Niches of the Art History Department

By Zimra Chickering · Sunday, April 25, 2021

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Clarice Lispector’s ‘An Apprenticeship’ Finds the Extraordinary Within the Ordinary

By Anastasia Knudsen · Sunday, April 25, 2021

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The Criterion Channel Turns Two: Here’s What to Watch First

By Jackson Schneider · Saturday, April 24, 2021

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The Impact of the Strokes’ Charmingly Detached ‘Is This It’

By Noah Gentry · Saturday, April 24, 2021

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Adaptation and Uncertainty: Seniors Describe the 2020-2021 Graduate School Application Cycle

By Rebecca Frischling · Friday, April 23, 2021

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Healthy Restaurant Review: Chop’t Edition

By Avery Verona · Thursday, April 22, 2021

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Virginia Highland neighborhood gets PERC-ier | Cailen Drinks Coffee

By Cailen Chinn · Thursday, April 22, 2021

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Solving the Pasta Problem: Alum Brian Rudolph on His Company Banza

By Allison Reinhardt · Thursday, April 22, 2021

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High Museum’s ‘Underexposed’ Exhibition Kindly Asks Viewers to Resist Stereotypes

By Robert Fuhriman · Wednesday, April 21, 2021

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