Arts & Life
‘Halloween Ends’ trades slasher legacy for boring backstories
By
Matthew Rodriguez
· Tuesday, Nov. 8, 2022
Oxford Music For Change concert raises funds, breast cancer awareness
By
Amiee Zhao
· Monday, Nov. 7, 2022
Arctic Monkeys swap catchy indie rock for groovy lounge pop on ‘The Car’
By
Ari Segal
· Friday, Nov. 4, 2022
Angry stillness, quiet change: Noah Kahan’s ‘Stick Season’ grapples with life’s contradictions
By
Mila Kocic
· Sunday, Oct. 30, 2022
‘The Nightmare Before Christmas’: Spooky Halloween spectacle or cautionary Christmas tale?
By
Catherine Goodman
· Thursday, Oct. 27, 2022
Maggie's Neighborhood Bar and Grill: the Emory tradition
By
Xavier Stevens
· Wednesday, Oct. 26, 2022
Families, alumni run annual Homecoming 5K, reflect on Emory experiences
By
Jordyn Libow
· Wednesday, Oct. 26, 2022
Get creative: A&E Staff critiques overdone Halloween costumes
By
Sam Bartlett
· Wednesday, Oct. 26, 2022
I scream, you scream, we all scream: researchers explain allure of screams
By
Sam Shafiro
· Wednesday, Oct. 26, 2022
Hasan Minhaj embraces the irony of comedy in ‘The King’s Jester’
By
Prerit Chaudhary
· Wednesday, Oct. 26, 2022
Queen Churro caters to students, aims to bring sense of home
By
Jordyn Libow
· Monday, Oct. 24, 2022
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